Reference shelf · The Lexicon

Web novel & roleplay glossary

Danmei and gong/shou, golden cores and regressors, asterisks and OOC. The 56 words our books assume you already know, set down plainly by the night shift.

Every term, by shelf · 56 entries

Lexicon · I · 17 terms

Web novel genres & forms

What the labels on the spine mean, from danmei to rofan.

Danmei

耽美dānměinoun

Danmei is Chinese boys’ love fiction: novels, most of them serialized online, built around a romance between two men.

The word is borrowed from the Japanese tanbi, “indulging in beauty,” and Chinese sites now often shelve it as 纯爱, “pure love.” Mo Xiang Tong Xiu (Mo Dao Zu Shi, Heaven Official’s Blessing) and Priest (Sha Po Lang) are the names you’ll hear first. Live-action adaptations have to recast the couple as sworn friends. Fans read between the lines, loudly.

See alsoBL, Gong / shou, CP & OTP, Xianxia

BL (boys’ love)

noun

BL, short for boys’ love, is the umbrella term for romance between men in fiction, across Japanese, Chinese, Korean and Thai novels, comics and dramas.

The label took hold in 1990s Japan, next to the older shōnen-ai and the fan-made yaoi. Each country grew its own branch: danmei in China, BL novels and webtoons in Korea, live-action series in Thailand. If you’re asking whether a story counts, the test is simple: the central romance is between men.

See alsoDanmei, Gong / shou, Seme / uke, Baihe

Baihe (GL)

百合bǎihénoun

Baihe is the Chinese term for girls’ love (GL): fiction about romance between women.

It’s written with the same two characters as the Japanese yuri, 百合, “lily,” and it arrived from Japanese fandom along with the flower. Chinese web-fiction sites shelve it right beside danmei, and it runs from school stories to court intrigue to cultivation epics. If the heroine you want isn’t on our shelves yet, you can write her.

See alsoBL, Danmei, OC

Wuxia

武侠wǔxiánoun

Wuxia is Chinese martial-arts fiction: wandering swordsmen, codes of honor and feuding sects, in a world where heroes are extraordinary but still mortal.

The word means “martial hero.” Jin Yong and Gu Long gave it its modern shape: lightness skill for running across rooftops, internal energy, a debt repaid twenty years late. Wuxia vs xianxia comes down to one line. In wuxia, you get stronger. In xianxia, you stop being mortal.

See alsoJianghu, Xianxia, Murim, Sect

Xianxia

仙侠xiānxiánoun

Xianxia is Chinese fantasy about cultivators: people who refine their qi through meditation and hardship to climb realm after realm, toward immortality.

仙 means “immortal,” and the genre’s bones are Daoist: the Dao, elixirs, heavenly tribulations. Realms usually run Qi Condensation, Foundation Establishment, Core Formation, Nascent Soul, and on up. The sect elder who looks thirty might be four hundred. A Record of a Mortal’s Journey to Immortality and I Shall Seal the Heavens are where a lot of readers started.

See alsoCultivation, Golden core, The Dao, Wuxia, Xuanhuan

Xuanhuan

玄幻xuánhuànnoun

Xuanhuan is Chinese fantasy with no fixed rulebook: cultivation-style power ladders mixed freely with magic, beasts, bloodlines and invented worlds.

The name means roughly “mysterious fantasy.” Where xianxia keeps to Daoist ideas, xuanhuan invents: Battle Through the Heavens has Dou Qi, Douluo Dalu has martial souls. The engine is usually a comeback. Xiao Yan loses his talent, has his engagement broken off in public, and answers: “Thirty years east of the river, thirty years west. Don’t bully the young for being poor.”

See alsoXianxia, Face-slapping, Cultivation, System

Murim

무림murimnoun

Murim is the Korean reading of 武林, “the martial forest,” and the name for Korean martial-arts fiction set in a wuxia-style world of sects, clans and sword saints.

The map is borrowed from China: Mount Hua, Wudang, Shaolin, the Heavenly Demon Cult. The engines are Korean: regression, sect rebuilding, and a great deal of comedy. In Return of the Mount Hua Sect, Cheong Myeong dies killing the Heavenly Demon and wakes a hundred years later in a beggar boy’s body, to find his sect broke.

See alsoWuxia, Jianghu, Sect, Regression

Manhwa

만화manhwanoun

Manhwa are Korean comics; today the word mostly means full-color, vertical-scroll webtoons read on a phone.

“Webtoon,” web plus cartoon, names the format. Many of the biggest titles adapt Korean web novels: Solo Leveling, Omniscient Reader’s Viewpoint, Under the Oak Tree. So if a manhwa has you hooked, the novel is usually further along, and the characters have more to say.

See alsoRomance fantasy, Regression, LitRPG & GameLit, Donghua

Donghua

动画dònghuànoun

Donghua is Chinese animation; English-speaking fans use the word for Chinese anime-style series, many of them adapted from web novels.

In Chinese it just means “animation,” so the fandom sense is ours. The danmei adaptations made it famous: Mo Dao Zu Shi and Heaven Official’s Blessing had donghua before they had English print editions. Cultivation epics like A Record of a Mortal’s Journey to Immortality run for years.

See alsoDanmei, Xianxia, Manhwa

Isekai

異世界isekainoun

Isekai is Japanese for “other world”: stories where someone from our world is transported, summoned or reborn into another one.

The running joke is Truck-kun, the delivery truck that sends half the genre’s heroes over. Some arrive as themselves (Re:Zero), some as their game avatar (Overlord), some as a baby with adult memories. Korean and Chinese fiction took the idea and ran, which is why it blurs into transmigration and reincarnation.

See alsoTransmigration, Reincarnation, LitRPG & GameLit, System

LitRPG & GameLit

noun

LitRPG is fiction whose world runs on visible game mechanics: levels, stats, skills and status windows the characters can read.

GameLit is the looser cousin, where games matter but the numbers needn’t. Korean fiction loves both. The Legendary Moonlight Sculptor follows a broke player grinding a VR game for rent money; Second Life Ranker climbs a tower floor by floor; The King’s Avatar is an esports story without a stat sheet in sight.

See alsoSystem, Isekai, Manhwa

Romance fantasy (rofan)

로판ropannoun

Romance fantasy, or rofan, is the Korean web-novel genre of love stories set in fantasy empires: dukes, crown princes, archmages and very expensive dresses.

로판 is short for 로맨스 판타지. A lot of its heroines arrive from elsewhere: regressed to their younger selves, or reborn inside a novel they once read, usually as the character who dies. Who Made Me a Princess opens with Athanasia born as the princess her own father executes in the book.

See alsoVillainess, Regression, Transmigration, Second male lead

Villainess

noun

A villainess is the heroine’s rival in a romance plot, and in the genre named after her, the woman who wakes up as that rival and refuses to meet her ending.

Her original fate is fixed: exile, execution, or a poisoned cup. So she plots in reverse. Be kind to the maids, avoid the male lead, befriend the heroine. Japanese otome-game stories and Korean rofan made it a genre of its own. The fun is watching someone read the room better than the book did.

See alsoRomance fantasy, Transmigration, Regression

Regression (regressor)

회귀hoegwinoun

Regression is the web-novel device where a character dies or fails and wakes up in their own past, memories intact, to do it all again; that character is a regressor.

It’s Korean fiction’s favorite second chance. Chinese novels call it 重生, “rebirth”: 2ha’s Mo Ran dies a tyrant and wakes up years younger, which makes facing his shizun rather awkward. Omniscient Reader’s Yoo Joonghyuk goes further. Every death sends him back to the start.

See alsoReincarnation, Transmigration, Murim, Romance fantasy

Transmigration

穿越chuānyuènoun

Transmigration is when a soul crosses into someone else’s body, usually in another world or era, and very often inside a novel the person was reading.

Chinese fans call that last kind 穿书, “crossing into the book.” The newcomer knows the plot and has to survive it. In Scum Villain’s Self-Saving System, Shen Yuan dies furious at a trashy novel and wakes as its scum villain, Shen Qingqiu, the man destined to be killed by his own disciple. Transmigration takes over a grown body; reincarnation starts from birth.

See alsoReincarnation, Isekai, System, Villainess

Reincarnation

转生zhuǎnshēngnoun

Reincarnation is being born again as someone new, with a new body and a new family and, in fiction, the old life’s memories intact.

It’s the slow road to a second chance: childhood again, with an adult’s opinions. Damn Reincarnation’s Hamel dies beside the heroes of his age and is reborn three centuries later as Eugene Lionheart, a child of his old comrade’s bloodline. Not to be confused with regression, which sends you back into your own past.

See alsoTransmigration, Regression, Isekai

System

系统xìtǒngnoun

In web novels, the System is a game-like interface only the protagonist can see: it hands out quests, grants rewards and punishes failure.

Its personality ranges from vending machine to tormentor. Solo Leveling’s makes Sung Jinwoo do a hundred push-ups, sit-ups and squats and a ten-kilometer run every day, or face the penalty zone. Scum Villain’s docks Shen Qingqiu points whenever he acts out of character. Readers love it for the reason gamers love a progress bar.

See alsoLitRPG & GameLit, Transmigration, IC / OOC

Lexicon · II · 12 terms

Cultivation terms & the jianghu

The vocabulary xianxia assumes you picked up in chapter one.

Jianghu

江湖jiānghúnoun

The jianghu, literally “rivers and lakes,” is wuxia’s martial world: the society of sects, wandering swordsmen, beggar gangs and old grudges that runs alongside ordinary life and outside the law.

It’s less a place than a set of rules. You pay your debts, you avenge your master, and you don’t call the magistrate. The proverb is 人在江湖,身不由己: in the jianghu, you’re never quite your own master.

See alsoWuxia, Sect, Murim

Sect

宗门zōngménnoun

A sect is a martial or cultivation school: a mountain, a founder, a lineage of masters and disciples, and a reputation to defend at any cost.

Inside, rank is everything. Outer disciples do the chores, inner disciples get the techniques, elders get the grudges. Outside, sects feud like noble houses. Return of the Mount Hua Sect is a whole novel about one sect’s reputation, and the very rude man who restores it.

See alsoShizun & shixiong, Jianghu, Cultivation, Young master

Cultivation

修炼xiūliànnoun

Cultivation is the practice, in xianxia and xuanhuan, of refining qi through meditation, techniques and elixirs to break through realm after realm of power, and eventually toward immortality.

Qi (气) is the vital energy in all things, and a cultivator’s life is spent gathering it. Each breakthrough lengthens your life. A bottleneck can stall you for decades, which is why closed-door cultivation lasts years. Nearly everything else in these novels, from sect politics to blood feuds, is a fight over more of it.

See alsoDantian, Golden core, Nascent Soul, The Dao, Xianxia

Dantian

丹田dāntiánnoun

The dantian is the energy center below the navel where a cultivator gathers and stores qi.

The name means “elixir field.” It comes from Daoist meditation and traditional Chinese medicine, which count three: lower, middle and upper. In xianxia, the lower one does the work. That’s why a crippled dantian is the genre’s cruelest injury, and so often chapter one of a comeback.

See alsoCultivation, Golden core, Xuanhuan

Golden core

金丹jīndānnoun

A golden core is the solid core of condensed qi a cultivator forms in their dantian, and Core Formation is the realm where a trained mortal becomes a true cultivator.

Everything later is built on it. Lose the core and your cultivation goes with it. That’s the hinge of Mo Dao Zu Shi: one missing golden core explains almost everything Wei Wuxian does next, and the novel takes its time telling you where it went.

See alsoDantian, Nascent Soul, Demonic cultivation, Cultivation

Nascent Soul

元婴yuányīngnoun

The Nascent Soul is the realm after Core Formation in classic xianxia, when the golden core becomes a tiny spirit-infant: a second self that can outlive the body.

A cultivator at this stage can lose their body and flee as a soul, or seize someone else’s, which is why the villains in these books are so hard to kill. Your lifespan runs to centuries, and most of your sect calls you Ancestor.

See alsoGolden core, Cultivation, Xianxia

The Dao

道dàonoun

The Dao, “the Way,” is the underlying order of the universe in Daoist thought, and in xianxia it’s the thing every cultivator is, in the end, trying to understand.

Cultivators speak of a Dao heart (道心) that mustn’t waver, and of comprehending a Dao of their own: the sword, fire, slaughter, time. Enlightenment has a habit of arriving mid-battle, at the worst possible moment. Walk the road long enough and the heavens start sending lightning to stop you.

See alsoCultivation, Dual cultivation, Xianxia

Demonic cultivation

魔道mó dàonoun

Demonic cultivation is xianxia’s forbidden path: power drawn from resentment, blood, corpses or the dead, instead of the clean spiritual energy orthodox sects refine.

It’s usually the villain’s shortcut, fast and corrupting. Mo Dao Zu Shi hands it to the hero. The Chinese title means Grandmaster of Demonic Cultivation, and Wei Wuxian is that grandmaster: the Yiling Patriarch, a flute in his hand and every righteous sect at his gate.

See alsoGolden core, Cultivation, Morally gray

Dual cultivation

双修shuāngxiūnoun

Dual cultivation is cultivating as a pair; in most xianxia, it’s a polite word for sex that also, conveniently, raises both partners’ power.

A few sects mean shared meditation, and some novels play it straight. Most don’t, and readers know what a chapter called “Dual Cultivation” is about to be. Couples bound for the long road are Dao companions (道侣): cultivation’s word for a spouse.

See alsoThe Dao, Cultivation, CP & OTP

Face-slapping

打脸dǎliǎnnoun

Face-slapping is the web-novel payoff where someone who looked down on the protagonist is publicly, satisfyingly proven wrong.

“Face” is social standing, so losing it in front of a crowd is the whole punishment; an actual slap is optional. The rhythm never changes: a sneer, a warning that someone is “courting death” (找死), a reveal of power, a stunned crowd. Readers come back for it the way you come back for a chorus.

See alsoYoung master, Xuanhuan, Cultivation

Young master

少爷shàoyenoun

A young master is the pampered heir of a powerful clan or sect, and in cultivation novels he’s almost always the arrogant rival who picks a fight with the protagonist early on.

He travels with bodyguards and an elder to call on, insults someone’s fiancée in public, and loses spectacularly. Then his father comes for revenge, then his grandfather. Readers joke you could set a watch by him. Now and then the young master is the hero, and the joke is on everyone else.

See alsoFace-slapping, Sect, Xuanhuan

Shizun & shixiong

师尊 · 师兄shīzūn · shīxiōngnoun

Shizun means “honored master,” a disciple’s word for their teacher in a sect, and shixiong, shijie, shidi and shimei are the senior brothers, senior sisters, junior brothers and junior sisters who share that master.

Seniority follows who joined first, not who’s older, so your shixiong can be younger than you. Master–disciple romance is a danmei classic: 2ha’s full title is The Husky and His White Cat Shizun, and the white cat is Chu Wanning. Korean murim uses the same words, read sahyung and saje.

See alsoSect, Danmei, Murim

Lexicon · III · 14 terms

Romance tropes & shipping terms

How the people in these books love each other, and what fandom calls it.

Gong / shou

攻 / 受gōng / shòunoun

Gong and shou are the danmei terms for the two roles in a male couple: the gong (攻, “attack”) is the top, and the shou (受, “receive”) is the bottom.

They came over from Japanese seme and uke. They describe a role in the relationship, not height, strength or femininity, and fans stack modifiers on them: 强强, strong gong and strong shou, is a whole shelf. Couple names put the gong first, so HuaLian is Hua Cheng and Xie Lian, in that order.

See alsoSeme / uke, CP & OTP, Danmei, BL

Seme / uke

攻め / 受けseme / ukenoun

Seme and uke are the Japanese BL terms for top and bottom: the seme (攻め, “attacker”) pursues, and the uke (受け, “receiver”) is pursued.

Both words come from Japanese martial arts, where the uke is the partner who receives a technique. Chinese fandom borrowed the characters wholesale, which is where gong and shou come from. Older yaoi leaned hard on the tall seme and the delicate uke. Newer BL mostly lets that go.

See alsoGong / shou, BL, CP & OTP

CP & OTP

noun

A CP (couple pairing) is a ship, two characters fans want together, and your OTP (one true pairing) is the ship you’d defend in the comments at 3 a.m.

CP comes from the Japanese fandom word kappuringu, “coupling.” Chinese fans name a CP by fusing a character from each name, gong first: WangXian is Lan Wangji and Wei Wuxian, BingQiu is Luo Binghe and Shen Qingqiu. English fandom writes it with a slash, or a portmanteau.

See alsoGong / shou, Slow burn, Danmei

Slow burn

noun

A slow burn is a romance that takes its time: chapters of tension, near-misses and denial before anyone admits anything.

The wait is the point. Every almost-touch is a payment on a debt the story owes you, and the confession, when it comes, gets to spend all of it. In roleplay, it takes discipline from both sides. Don’t let the confession land in message three.

See alsoEnemies to lovers, Angst, Fluff

Enemies to lovers

noun

Enemies to lovers is the romance where two people start on opposite sides, as rivals, political enemies or soldiers of opposing armies, and fall for each other anyway.

The friction does the work: every argument is flirting in disguise, and the question is who blinks first. Early in Thousand Autumns, Yan Wushi, a demonic sect master, picks Shen Qiao up after a fall from a cliff and sets out to see how far a good man can be pushed.

See alsoSlow burn, Morally gray, CP & OTP

Yandere

ヤンデレyanderenoun · adjective

A yandere is a character whose love curdles into obsession: sweet on the surface, and willing to do something frightening to keep you.

The word joins yanderu, “to be sick,” with deredere, “lovey-dovey.” Possessive is the point, which is exactly why it works as fiction and nowhere else. Danmei’s favorite is Luo Binghe, the sunny disciple who comes back a demon lord and is still devoted to his shizun, in the worst possible way.

See alsoTsundere, Kuudere, Dandere, Morally gray

Tsundere

ツンデレtsunderenoun · adjective

A tsundere is harsh on the outside and soft underneath: they snap, deny and insult, and care intensely the whole time.

Tsuntsun is prickly; deredere is lovey. The classic line is some version of “It’s not like I did it for you.” The pleasure is reading the gap between what they say and what they do, and waiting for the day they stop pretending.

See alsoYandere, Kuudere, Dandere

Kuudere

クーデレkūderenoun · adjective

A kuudere is calm, cool and flat on the surface, with the warmth arriving late and in small, devastating doses.

Kuu is the English “cool,” borrowed into Japanese. Unlike a tsundere, a kuudere isn’t hiding anything behind anger; they just aren’t built for display. You learn to read them by what they do, like a cup of tea set at your elbow without a word.

See alsoTsundere, Dandere, Yandere

Dandere

ダンデレdanderenoun · adjective

A dandere is quiet because they’re shy, not cold: they barely speak in a group and open up, warmly, once they trust you.

Dan comes from danmari (黙り), “silence.” The difference from a kuudere is wanting: a kuudere doesn’t feel like talking, a dandere wants to and can’t. In roleplay they reward patience more than any other type. Ask small questions and leave them room.

See alsoKuudere, Tsundere, Hurt/comfort

Morally gray

adjective

A morally gray character does bad things for reasons you can follow, or good things by questionable means, and is interesting precisely because you can’t file them under hero or villain.

The best ones make you argue with yourself. They lie for the people they love, kill for causes you half agree with, and never ask to be forgiven. Danmei is full of them, from demonic cultivators to court schemers who’d poison a minister before breakfast.

See alsoDemonic cultivation, Yandere, Enemies to lovers

Hurt/comfort

noun

Hurt/comfort is a fanfic genre where one character suffers, through injury, illness or grief, so that another can take care of them.

Fans shorten it to h/c. The hurt is the setup and the comfort is the point: the bandage, the soup, the someone who stays. Heaven Official’s Blessing runs on it at scale. Xie Lian carries eight hundred years of hurt, and Hua Cheng has been waiting just as long to comfort him.

See alsoAngst, Fluff, Slow burn

Fluff

noun

Fluff is soft, happy, low-stakes writing: domestic scenes, small kindnesses, nobody dying.

It’s the opposite of angst, and the cure for it. A fluff fic might be two people making dinner for three thousand words. In roleplay, fluff is a rainy afternoon with nowhere to be, and someone who’s glad you came.

See alsoAngst, Hurt/comfort, Slow burn

Angst

noun

Angst is writing built around emotional pain, such as grief, guilt, longing or tragedy, and the reader’s willingness to be hurt by it.

Chinese fandom says an author who writes a painful chapter is “handing out knives” (发刀), and a sweet one is “handing out sugar” (发糖). Danmei is famous for its knives. 2ha opens with Mo Ran as a tyrant emperor, dead by his own hand, and it doesn’t get kinder for a while.

See alsoHurt/comfort, Fluff, Regression

Second male lead

서브 남주seobeu namjunoun

The second male lead is a romance’s other man: kind, loyal, often better on paper, and usually not the one she chooses.

Korean dramas and rofan made him an institution, and readers named the heartbreak that follows: second lead syndrome. He’s there to make the choice cost something. Plenty of readers never forgive the author, and roleplay is where they finally get to change the ending.

See alsoRomance fantasy, Slow burn, Angst

Lexicon · IV · 13 terms

AI roleplay & fandom terms

Table manners for writing a story with someone else, human or not.

Roleplay (RP)

noun · verb

Roleplay is collaborative storytelling where each person writes as a character, taking turns to build a scene together.

It grew up on forums and in chat rooms long before AI. In AI roleplay your partner is a language model, and on DokiPal it plays the character, voices the side cast and sets the scene while you play your own part. The rule is the old one: write something the other person can answer.

See alsoCharacter card, Persona, IC / OOC, Asterisk actions

Character card

noun

A character card is the written profile that defines an AI character: who they are, how they speak, where the story starts and the first thing they say.

A good card shows behavior instead of listing adjectives: “laughs when she’s scared” does more work than “brave.” On DokiPal you write one in Create: a name and source, a short description, personality, an opening scenario and a first message, and then you pick a voice.

See alsoFirst message, Scenario, OC

First message (greeting)

noun

The first message, or greeting, is the character’s opening post: the scene, the voice and the hook that every reply after it will follow.

Models mirror what they’re given, so a greeting sets the length, tense and style of the whole story. Write it long and the replies run long. The best ones end on something you can’t help answering: a question, an interruption, a door opening.

See alsoCharacter card, Scenario, Asterisk actions

Scenario

noun

The scenario is the situation a roleplay opens on: where you are, who you are to each other, and what’s about to go wrong.

It’s the difference between “a knight” and “a knight who has just been ordered to arrest you.” On a DokiPal card it’s the opening scenario field. Some characters are all scenario: an academy, a dungeon, or a narrator running a whole world instead of playing one person.

See alsoCharacter card, First message, Persona

Persona

noun

A persona is the character you play in a roleplay: a name, pronouns and a short description the AI treats as fact about you.

On DokiPal you can keep several and choose who you are for each story, so one evening can hold a disciple in one chat and a runaway bride in another. What you say about your own character is canon, and the character won’t make you argue for it.

See alsoY/N, Roleplay, God-modding

IC / OOC

abbreviation

IC means in character and OOC means out of character: a line from you, the writer, rather than from the person you’re playing.

OOC notes usually go in (parentheses) or after “OOC:”. On DokiPal, “(skip to the next morning)” steers the story without your character saying it, and a note like “redo that, shorter” rewrites the last reply. Fandom also uses OOC as a verdict: a character acting unlike themselves is “so OOC.”

See alsoAsterisk actions, God-modding, Regenerate, System

Asterisk actions

noun

In roleplay, *asterisks* mark actions: what’s between them is what your character does, and what’s outside them, often in quotes, is what they say.

*sets the cup down* “You’re late.” It started in chat rooms and never left, because it’s quick to type and hard to misread. The alternative is novel style, full prose with quoted dialogue. Either works. The model mirrors whichever you pick, so choose the one you want to read back.

See alsoIC / OOC, First message, Roleplay

God-modding

noun

God-modding is taking more than your share of a shared story: writing another player’s character for them, or making your own impossible to touch.

The classic forum sin was the unblockable sword. In AI roleplay it usually runs the other way, with the AI deciding what you say, feel or do. DokiPal’s characters are told never to write your character’s words, actions or feelings; when a scene needs your move, they stop and hand it back.

See alsoPersona, IC / OOC, Roleplay

Story memory

noun

Story memory is how an AI character keeps track of a roleplay too long to reread at once: a running summary of what’s happened, plus the facts it must never lose.

Language models can only read so much at a time, so long stories need a memory. On DokiPal, Notes in the chat’s ⋯ menu shows both halves: notes you pin, sent with every message and never summarized away, and the recap the app keeps on its own, which you can read or reset.

See alsoRegenerate, Persona, Character card

Regenerate (swipe)

verb

To regenerate is to ask the AI for a new version of its last reply; each version is a swipe you can flip between and keep.

It’s the roleplayer’s undo, and there’s no shame in it: one weak reply left standing drags the next ten down. On DokiPal, you flip between versions with the ‹ 2/3 › arrows, try a different model for a fresh take, or send a note like “shorter, from his side” to get a rewrite that goes where you want.

See alsoStory memory, IC / OOC, First message

OC (original character)

noun

An OC is an original character: someone a fan or writer invented, rather than one from an existing book, show or game.

OCs get dropped into canon worlds all the time (“my OC joins the Mount Hua Sect”), or live in stories of their own. On DokiPal, original characters have a shelf of their own, and yours can join them once you’ve written the card.

See alsoCharacter card, AU, Y/N

Y/N

abbreviation

Y/N stands for “your name”: a placeholder in reader-insert fanfic, where you mentally write yourself into the story.

It’s the heart of “x reader” fic, and AI roleplay is its natural next step, because the character actually answers. Character cards use {{user}} for the same job. On DokiPal, your persona tells the character what to call you.

See alsoPersona, OC, Roleplay

AU (alternate universe)

noun

An AU, or alternate universe, is a story that keeps canon’s characters but changes their world: a modern city, a coffee shop, a different ending.

Canon is the official story, the facts as the author wrote them. An AU breaks them on purpose to see who the characters are without them. Modern AU is the biggest shelf, with fix-its, where the tragedy never happens, close behind. In roleplay, one line in parentheses can set one up.

See alsoOC, IC / OOC, Y/N

Index