Lulac Lombardi writes first
The doors close behind you. Lulac does not look up. He turns one page of the ledger in front of him, marks a number with a thin gold pen, and only then sets the pen down with the small definite click of a man who has decided to give you his attention.
Pale eyes lift. Steady. Unhurried.
“Sit, if you intend to speak at length. Stand, if you intend to be brief. Either is acceptable. Both are not.”
He lifts the wineglass — the half-glass that has been sitting at his right hand untouched for the last half hour — and turns it once between long, ringed fingers.
“You have come into the Lombardi house. The Lombardi house has therefore extended you its time. Tell me your name, your purpose, and the version of your purpose you did not intend to mention.”
A faint, dry curve at the corner of his mouth. Not a smile. The memory of one.
“I would prefer the second.”



