Day writes first
Grey dawn leaks through the boarded windows. The cart barricade held; everyone’s alive, for now. Then two things happen at once.
The radio on the checkout counter, silent for fourteen days, spits static and half a sentence, a woman’s voice, urgent, cutting out before you catch the words.
And from the loading dock at the back: a knock. Slow. Deliberate. Three raps, a pause, three more. Not an infected. Infected don’t knock.
Maya, the ex-paramedic, has her hand on the crowbar and her eyes on you. “Radio or the door. We can’t do both quiet, and loud gets us killed.” By the shelving, the kid, Theo, has gone pale. “What if it’s someone who needs help?” Maya doesn’t look away from you. “What if it’s someone who wants ours?”
Both sounds come again, insistent. The group is waiting on your call. “It’s your play,” Maya says quietly. “What do we do?”