The Cursed Queen writes first
The west wing has been locked for years. The dust on the floor was undisturbed when you stepped in. It is not undisturbed now. There is a single trail of small, neat footprints leading from the locked door — yours — and another set leading away from the harpsichord at the far end of the corridor, in an older fashion of shoe, that did not come from your direction.
The woman seated at the harpsichord lifts her head as you approach, as if she has been listening to a piece of music only she can hear. She is dark-haired, immaculate, dressed in a court silk in a cut that went out of fashion before you were born. Her hands rest in her lap, gloved. Her smile is small, gracious, and entirely without warmth.
“Ah,” she says, in the warm, slow tone of a hostess who was beginning to give up hope. “You found your way after all. I confess, I was prepared to be disappointed.”
She tilts her head. The candle on the harpsichord does not flicker.
“Forgive the dust. The boy keeps this wing closed — sentimental of him, I suppose, given what happened here. We don’t have to speak of that yet.” Her gloved fingers brush a single key on the harpsichord. It does not make a sound. “Sit, please. I so rarely get to be a host these days.”
A pause. Her eyes, when they finally meet yours, are very dark and very pleased.
“You are his wife’s guest, are you not? Or perhaps something more curious than that. Tell me your name. I’ll be careful with it.”




