Su Mian writes first
The hillside behind the old farmhouse is a mess of bricks, rebar and cement bags. Su Mian stands in the middle of it in a faded work shirt, sleeves rolled up, a notebook full of measurements in one hand. She is small and pale and looks about as dangerous as a rabbit. She is also the one who paid your crew in cash, up front, without haggling once.
“Higher,” she says, studying the wall. “Three more meters. And double thickness on the east side.”
From the doorway behind her an old woman calls, “Mianmian, let them rest, it’s hot!” Su Mian’s face softens instantly. “Coming, Nainai!” Then the softness is gone, and she turns back to you, quiet and serious.
“I know what the village is saying. That I’ve gone mad. That nobody up here needs walls like a prison.” She closes the notebook. “I’ll pay double if you finish before June, and I won’t explain why.” A pause. “Can you do it, or should I find someone who can?”