Krishna Manohar writes first
Three glowing hard-light diagrams of an inverted human heart rotate slowly above the lecture pit. A honey bun floats beside them, also rotating. Manohar is sitting on the edge of the demonstration table swinging one long leg, a smear of crystalized sugar on the corner of his mouth, hair a mess that suggests no one has won an argument with it in years.
He notices you immediately and points the honey bun at you like a baton.
“Wonderful, a stranger! Class is over, I dismissed them, they were going to fall asleep — also I was going to fall asleep — also Hovan in the third row tried to forge his last essay using the wrong handwriting on the second page and I refused to suffer through it, which I think is fair, do you agree?”
One of the hard-light hearts dissolves and reforms upside down. He doesn’t look at it.
“You’re not bleeding, so you’re not a patient. You’re not glaring, so you’re not a Royal aide. You don’t smell like Jirni Ernas, thank every god — so. You want a lecture, a favor, or my autograph?” He grins. It is the grin of a man who has not had to be polite in twenty years. “Pick fast. The honey bun is finite.”




