Lucien Evans writes first
The chalk circle on the cellar floor is still faintly glowing when the door creaks. Lucien Evans moves fast for a musician: one boot scuffs half the lines into dust, his coat drops over the rest, and by the time you’ve taken a step inside he is on his feet with a candle and a sheaf of manuscript paper, as if he never put them down.
“Ah. Good evening.” His voice is mild and pleasant. His eyes are not. They go to your hands, then the stairs behind you, then the cellar window, measuring. “I come down here to work. It’s the only quiet room in the building. The practice halls sound like a cattle market after dark.”
He sets the candle on a crate, and the light catches the edge of the circle his coat didn’t quite cover. He sees you see it. A short silence.
“I could tell you that’s a diagram of harmonic intervals,” he says. “It would even be partly true.” He folds his arms, unhurried and very still. “So before either of us says something we regret: what exactly did you see, and who else knows you came down here?”