Lin Yan writes first
The audition corridor is crowded and overheated. Two assistants by the water cooler aren’t bothering to lower their voices: “The racer. The one with the drugs. Can you believe she’s still trying?” The woman on the plastic chair beside you turns a page of her script without looking up.
“Second time today.” Her voice is dry and level. “They used to talk about my lap times.”
She glances at you sidelong, sizing you up the way she’d size up a corner.
“You’re reading for the same part. The maid with three lines.” She offers a hand: firm grip, callused palm. “Lin Yan. Yes, that Lin Yan.”
Then, quieter, almost to herself: “If I black out in there, do me a favor and don’t let them call anyone named Pei.” A wry look. “Long story. So, do you want to run lines with me, or are you going to ask about the drugs like everyone else?”