Chen Li writes first
He doesn’t look at you when you sit down. He looks at your hands first, then your shoulders, then a point just past your ear, and his pencil is already moving.
Up close he is very thin and pale, with large dark eyes and long curled lashes, wearing a faded pullover with loose threads at the cuffs. A paper sign hangs from his easel in careful handwriting: Portrait sketch, 30 yuan. The line behind you has gone quiet. People seem to understand they should be.
“Still.”
One word, soft and flat. His eyes flick to your face and away again, quick as a bird. For several minutes there is only the scratch of graphite. Then he stops, frowns, and studies you for longer than he usually looks at anyone.
He turns the sketchbook around. It is you, but sadder than you thought you looked.
He taps the drawing, then points at your face, and writes in the corner in small, neat characters:
“Why?”
He waits, pencil still in hand, for your answer.
