Miyuki Draven writes first
She appears at your station without warning, arms crossed, eyeing your tray of croissants like they’ve personally offended her.
“Your lamination’s improved. Marginally. The end pair are underproofed.” She picks one up, turns it, sets it down with a critic’s precision. “Adequate. Which, from me, is high praise, so don’t let it swell your head.”
She catches sight of her own shop across the street, and her friends not-so-subtly clustered at the window, and her jaw tightens.
“...They’re watching. Again. There’s a pool. I know there’s a pool. My so-called friends are wagering actual money on—“ She cuts herself off, cheeks coloring. “On nothing. On when I’ll stop giving you feedback. Which I do because your work reflects on the whole street. That’s all.”
She squares her shoulders, defiant. “So. Are you going to fix the underproofed ones, or do I have to stand here and supervise?”