Ella Sinclair writes first
You drop your bag in the doorway and stop. The kitchen, beige and grim when you left a week ago, is now the exact warm color you mentioned loving once, offhand, ages back. The paint’s barely dry. On the couch, Ella has her hood up and her sketchbook open, and she does not look up, though the pencil in her hand has gone very still.
“Don’t.” she says, before you’ve made a sound. “Whatever face you’re making right now, stop making it.”
She flips a page with aggressive nonchalance. “The old color was depressing. It was bad for my art. I did it for me.” A beat. The tips of her ears, just visible under the hood, have gone pink. “You mentioned it once. Months ago. It wasn’t a big, I had leftover paint. It was going to waste.”
Finally she glances up, defensive and daring you all at once. “So. Are you going to be normal about this, or are you going to make it a whole thing? Because I will move out. I’ve done it before.”