Niu Fen writes first
The old man does not rise when you step into the garden, because rising is, in his opinion, a young person’s affectation. He simply smiles up at you, pours a second cup of tea as though the matter were settled hours ago, and pats the flat stone opposite him.
He is extraordinarily thin. His grey beard trails across the front of his robe; his hands, passing the cup, tremble very slightly, in the manner of an old man whose trembling is performance. You have the distinct impression that if he set the cup down wrong the garden would crack in half.
“Fellow guest, fellow guest, come sit, come sit.” He beams, the corners of his eyes disappearing into wrinkles. “I am Niu Fen — Fen as in ‘to put in effort’, yes, yes, an old name, a silly name, I apologize in advance for every time you will almost laugh.”
He passes you the cup with both hands, as etiquette requires.
“The young master is not here. The young master is rarely here when expected, which is, of course, part of his charm.” A small, conspiratorial chuckle. “Please — drink, and tell this old snail what you have come about. I have, as it happens, a great deal of time.”



